http://www.heanorgate.org.uk/visualarts.asp?pageID=MediaKeywords

mise-en-scene

OLD STYLE MIRRORS FOR THE GANGSTER EFFECT.

TEXT ANALYSIS FOR MAG COVER AND FILM COVER...

^^^^ ABOVE ARE SOME TEXT IDEADS FOR OUR FILM POSTER AND MAGAZINE COVER. I LIKE THE BOTTOM LEFT AND RIGHT.. BUT IT IMPLIES HORROR. MORE GANGSTER LOOKING TEXTS ARE THE SECOND DOWN... ^^^^^

PICTURE AND TEXT EDITING

I HAVE ADDED AN IMAGE OFF http://www.google.com/ FOR THE IMAGE OF THE GUN.

THE TEXT FONT WAS OFF http://www.dafont.com/ IT IS A GANGSTER TYPE OF WORDING WITH FLAMBOYANT BOLD TEXT.

WE HAVE TAKEN MY IMAGE OF THE LONDON CITY SCAPE, AND EDDITED THEM TO CREATE DIFFERENT DEVELOPMENT IDEAS WITH OUR PLANNING. WE HAVE USED ONE OF THESE IN OUR MAIN DRAFT FOR THE MAGAZINE AND FILM POSTERS, BLOGGER IS FAULTY AT THE MOMENT AND WILL NOT LET US UPLOAD THE FINAL DRAFTS, WITH TEXTUAL ANALAYSIS OF EACH ONE AND HOW WE CREATED THEM. THIS SHOULD BE SORTED WITHIN A WEEK.

DEVELOPMENT...

- The gun is gangster stereotype and an enigma code, we can expect to see violence and crime.

- The gloves suggest a hitman, or professional.

- The shade on this poster is useful for text. (this is hard to see in this photo)

- The shade also suggests darkness and nighttime, when crime and violence of this genre usually occurs.

(FILM POSTER DRAFT.. 3)

^^^^^^^^^

This is a film poster mixed together with a few of our ideas of the trio and the gun for our film
- The character in the centre is either looking down at the gun, and is focused on the task set.

- Or the character in the centre is direct mode of address and is looking at the camera, this is to look menacing or intimidating.

- The other two characters are unaware of the camera and look preoccupied with their love interest.

- The shade suggests darkness and nighttime, this is stereotypically when crime and violence is committed in this genre.

(FILM POSTER DRAFT.. 2)

(FILM POSTER DRAFT..1)

MAGAZINE IDEAS..

SETTING IDEAS FOR FILM COVER

USING COLOUR CREATES A DIFFERENT IMPLICATION. WE LIKE THE WATER COLOUR, BUT PREFER THE SKY IN OTHER PICTURES. ORANGE WATER CREATES A GANGSTER LOOK. WE MAY USE THIS IN LATER DEVELOPMENT.



THE BUSS IN THIS PICTURE IS AN OLD FASHIONED BUSS. I REALLY LIKE THE PICTURE AND HOW IT CONTRASTS WITH THE LONDON ST-PAULS.



A PICTURE OF LONDON'S TOWER BRIDGE IS A GANGSTER FEEL. THE PICTURE IS FADED OUT AROUND THE EDGES. THIS IS A GOOD EDDITNG EFFECT.



THIS IMAGE WAS TAKEN (ABOVE) FROM A PHOTOGRAPHER - STEVE WAGEN.. THIS PICTURE IS NOT MINE.. IT WAS A PICTURE THAT GAVE ME THE IDEAS FOR A CITY SCAPE. ^^^^^^^^^^ (THE PICTURE ABOVE WAS NOT MINE!!!) ^^^^^^^^^


ALL OF THE ABOVE IMAGES I TOOK WHEN VISITING LONDON - IM GOING TO SHOW THE GROUP THE IMAGES AND SEE WHAT THEY THINK OF HAVEING A LONDON CITY SCAPE BACKGROUND WITH THE MAIN CHARACTERS ABOVE IT.. FOR A FILM POSTER OR COVER FOR A CASE.

SHOT LIST... (For the Trailer)

SHOT LIST FINAL.. (FINAL)

1. Dark shots with flashes of main characters, with a brief introduction narrated via voice over.
2. Close up shots of the two lovers, showing that they are clearly in love.
3. Next we see the Father of the girl, shot in dark lighting. He finds out about his daughter's relationship and immediately orders a hit on them both.
4. Shot of darkness, - blackout effect to suggest some time has passed.
5. Two lovers are running and screaming. They are being pursued.
6. Blackout we hear screams and gunfire.
7. We have further blackouts to suggest time has passed.
8. A boot of a car is opened and a body is put in.
9. Another quick blackout.
10. A quick shot of the car pulling off.
11. Another quick blackout.
12. Car driving on motorway.
13. Another quick blackout.
14. Car arriving at harbour.
15. Another quick blackout.
16. Body been thrown off boat.






(PICTURE STORY BOARD)

1) (two lovers)
















2) (father orders the hit on daughter)















3) (dark shot with text - showing time change)




















4) (man and woman running away)













5+6) (bodies are put in boot of car)
















7+8+9) (car by harbour throwing bodies into sea)


























(SHOT LIST DRAFT)


1. Dark shots with flashes of main characters, with a brief introduction narrated via a voiceover.


2. Close up shots of the two lovers, showing that they are clearly in love.

3. Next we see the Father of the girl, shot in dark lighting. He finds out about his daughter's relationship and immediately orders a hit on them both.

4. Shot of darkness, - blackout effect to suggest some time has passed.

5. Two lovers are running and screaming. They are being pursued.

6. Blackout we hear screams and gunfire.

7. we have further blackouts to suggest time has passed.

8. A boot of a car is opened and a body is put in.

9. Another quick blackout.

10. A quick shot of the car pulling off.

11. Another quick blackout.

12. Car drving on a motorway.

13. Another quick blackout.

14. Car arriving at harbour.

15. Another quick blackout.

16. Body being thrown off boat.