Wednesday, 27 April 2011
question evaluation
With regards to our main A2 production task, we had to research narrative techniques in pure detail. We started off by looking at theories and narrative models such as Tristan Todorov’s theory towards narration. This intertwines with our main story plot line – as we follow his theory, throughout our trailer. Our main character is Sarah, who is the daughter of a gang leader, following the disturbance of using Todorov’s theory we have a equilibrium disturbance in many of our trailer scenes showing the violence and hurt through a love relationship – with a final outcome of revenge. We also used conventional approaches but mixed into experimental narrative approaches. We did this in many ways but one important example would be our voice over overlapping our film shots to create a third person perspective on the feel of the trailer. However the narration does not explain the storyline, it merely entices the audience into what its all about.
With regards to the plot time, the trailer reacts through the experiences of shot times and screen times, using fast motion – to slow motion shots of running/fighting scenes. This helps to confuse the reading audience of what real time reality actually is, and also contrasts without giving too much information on what happens. Going back to character types, our trailer production used theory ideas from Propp, who has eight different examples of character types. We used the Father figure – who ended up being the dispatcher, the villan – who was his daughter in the end, betraying her family – to set out to destroy her father. We also used character types such as the helper and the donor, however with regards to the donor character type Propp implies that with a donor they would need to give some sort of prop or skill to another character, this relates to our father figure giving the assassin the job of killing the two lovers – however this shows our trailer does not exactly intertwine or correspond with Propp’s theory of character types.
Wednesday, 13 April 2011
Friday, 8 April 2011
What have you learned from your audience feedback?
The screen shot above, is the audience feedback from the our A2 film poster. Created by me i was very interested to see what people thought was good/bad about it and what i could have improved. Abbie Fegent - suggest that the names at the top of the poster should be kept bold instead of slightly faded/blurred. taking this into consideration - i re designed the poster, taking out the blur editting out of each letter. However - with my new and old editted posters, we as a group decided that the letters looked more proffessional blurred at the bottom, this was because we had many discussions about whether 'LUCY KNIGHT' should be the main focus or whether 'PETER JONES and JAMES DEAN' should stay bold aswell. Taking Abbie's advice feedback was very useful in relation to what Amy Millan says bellow. She taks about the layout, and how in every professional poster for a film or even advertisment posters - there are always points where it meets the readers eye and stands out. As a group we agree what Amy was saying and belived we have reached the eye catching perspectives that she talks about. These audience feedback comments where uploaded within minutes of adding our film poster to my facebook account. This shows that to gain quick and helpful feeback comments - using http://www.facebook.com/ as our main potential audience feedback site, it ended up being incredibly helpful.